The Doomstone, York Minster.
No shit …
18th century three-decker pulpit in St Mary’s.
Stopped off at the Yorkshire Sculpture Park on the way home.
Tony Cragg’s pieces from A Rare Category of Objects are almost designed to be photographed rather than engaged with.
See what I mean?
A pair of burgers from Matthew Day Jackson’s eerily abject Magnificent Desolation.
A crowd of graphite ware figures, all look the same to me, don’t shoot …
… part of Zak Ové’s 80 strong crowd — Black and Blue: The Invisible Men and the Masque of Blackness.
And on the way out through Jaume Plensa’s Wonderland — on the threshold of nowhere.