
The Doomstone, York Minster.

Whitby Abbey.


No shit …

18th century three-decker pulpit in St Mary’s.
Stopped off at the Yorkshire Sculpture Park on the way home.

Tony Cragg’s pieces from A Rare Category of Objects are almost designed to be photographed rather than engaged with.

See what I mean?

A pair of burgers from Matthew Day Jackson’s eerily abject Magnificent Desolation.

A crowd of graphite ware figures, all look the same to me, don’t shoot …

… part of Zak Ové’s 80 strong crowd — Black and Blue: The Invisible Men and the Masque of Blackness.

And on the way out through Jaume Plensa’s Wonderland — on the threshold of nowhere.